Decoding the "Wes Line": Upper Structures in Fly Me to the Moon
Beginners are often told to play root-based arpeggios, but this approach creates a mechanical, disconnected sound. The secret to that floating, professional jazz quality isn't playing the root—it's playing the Upper Structure. Discover how to transform a simple Fm7 into a lush Abmaj7 sound (the "Wes Line") and navigate the fretboard with the efficiency of a pro.
Unlocking 'The Girl from Ipanema': Upper Structure Triads & Superimposition
To advance as a jazz guitarist, you must break the habit of chasing roots. In complex tunes like The Girl from Ipanema, the key to fluid soloing isn't a new scale—it's Superimposition. Discover how to float simple "Upper Structure Triads" over complex chords to create that sophisticated, modern jazz sound without over-thinking.
More Than a Dress Code: The Cultural History of the Jazz Musician's Suit
Why did jazz legends like Miles Davis, Coltrane, and Wes Montgomery always wear suits? Beyond fashion, the suit symbolized dignity, protest, diplomacy, and the elevation of jazz from club music to a global art form.
Starting Jazz Guitar? Here’s Who You Must Listen to First (Feat. Wes Montgomery)
Wes Montgomery is the clearest starting point for anyone entering jazz guitar. His melodic clarity, harmonic depth, and iconic octave style form the perfect foundation for understanding the entire lineage of jazz guitar masters.
'Excuses Are Just Excuses': A Working Musician's Philosophy for Growth
Busy musicians struggle to find time, but true growth comes from intention, not hours. This post explores internalization, transcription, and sincerity—how even 30 minutes of focused listening or mindful playing can transform your musical journey.
Lessons from the Lineage: What Richie Hart and the Masters Teach Us About Practice
Jazz guitar becomes meaningful when we stop chasing techniques and begin listening deeply. This post reflects on lessons passed down from Richie Hart and Wes Montgomery, and why sincere listening—not more scales—creates true musical growth.
Liberating the Fretboard: Wes Montgomery's Diagonal Logic and Functional Harmony
Many players feel trapped in vertical scale positions. This article explains how Wes Montgomery’s diagonal fretboard approach, harmonic function, and upper-structure triads reveal the guitar as a flowing map of color and tension—not a set of boxes.
Beyond Chord-Tone Soloing: A Pianistic Approach to Jazz Guitar Improvisation
Most guitarists learn to “outline chord tones” — a method borrowed from monophonic instruments. But jazz guitar is polyphonic. By thinking like a pianist, we can merge voicing and improvisation into one language. This article explores how four-part harmony, voice leading, and upper-structure triads can transform your playing forever.
How to Start Self-Taught Jazz Guitar: A 3-Step Method to Master Your First 'Real Book' Tune
Feeling lost when opening the Real Book? Many guitarists jump straight into chords or melodies without truly understanding the tune’s structure. This three-step approach—focusing on melody, bass, and shell voicings—shows how to internalize any jazz standard from the inside out.