The Secret to Melodic II–V–I Lines: Unlocking Guide-Tone Motion
Many players practice their II–V–I arpeggios but still sound disconnected. This post explains how guide-tone lines (3rds and 7ths) create smooth, musical phrasing and why learning their flow is the key to fluid jazz improvisation.
Is Memorizing Chord Tones Enough for Jazz Guitar? (A Better Approach for Beginners)
Many guitarists memorize chord tones but still struggle to sound musical. This post explains why chord-tone soloing often feels mechanical and shows how shifting to a pianist’s mindset—melody + harmony together—instantly transforms your improvisation.
Beyond Chord-Tone Soloing: A Pianistic Approach to Jazz Guitar Improvisation
Most guitarists learn to “outline chord tones” — a method borrowed from monophonic instruments. But jazz guitar is polyphonic. By thinking like a pianist, we can merge voicing and improvisation into one language. This article explores how four-part harmony, voice leading, and upper-structure triads can transform your playing forever.