How Do You Fill the Space Between Chord Tones? Connect the 3rds First
To fill the space between chord tones, build the skeleton first: connect the 3rd of each chord, cross through the 7th on the way, and fill the remaining gaps with scale notes — saving the target note for last. The melody of Fly Me to the Moon is built on exactly this mechanism, which means the fill notes were never random.
Breaking Through Your Improvisation Rut: A Practical Guide to Connecting Melody and Guide Tones
You know your scales and chord tones—but your improvisation still doesn’t sound musical.
The missing link isn’t more theory. It’s learning how to connect melody and harmony through guide tones, voice leading, and simple triadic movement inside a real song.
Dissecting a George Benson Line: The Harmonic Secret of Playing Bbmaj7 Over C7
Some of the most exciting jazz guitar lines don’t come from scales at all.
George Benson’s “outside” sound often comes from superimposing upper structures—borrowing harmonic material from one chord to create modern, unexpected colors inside the changes.
Are You Just Memorizing Shapes? How to Truly Understand the Fretboard with Chord Degrees
Jazz guitar doesn’t have to be an endless memorization game.
By learning to see chords as degrees and functions—rather than shapes—you can finally understand how harmony works across the fretboard and start playing with clarity and intention.
Starting Jazz Guitar? Here’s Who You Must Listen to First (Feat. Wes Montgomery)
Wes Montgomery is the clearest starting point for anyone entering jazz guitar. His melodic clarity, harmonic depth, and iconic octave style form the perfect foundation for understanding the entire lineage of jazz guitar masters.