Stop Thinking Static Chords: Use Sliding Intervals for Upper Structures
Upper structures aren't just static shapes; they are movements. Learn how to use sliding intervals to navigate the neck fluidly.
Why Power Chords Can Feel 'Boring' in Jazz
Power chords offer a neutral sound, but they often lack the storytelling ability of jazz harmony. Learn why playing thirds and sevenths creates a more compelling narrative.
Stop Counting Bars: How Melody and Guide Tones Navigate the Changes
Panic strikes when you lose count of the bars. But pros don't count—they sing. Discover how to use Voice Leading and "Melody Authority" to navigate chord changes effortlessly, turning your solos from math equations into music.
The Art of Omission: Mastering Shell Voicings and the 1-3-7 Rule for Jazz Guitar Beginners
Struggling to play complex piano voicings on the fretboard? Stop fighting the instrument. Discover why the secret to a pro jazz sound lies in playing fewer notes. We break down the "1-3-7" philosophy and how to master Shell Voicings.
How to Internalize Complex Tunes: A Case Study on "What Is This Thing Called Love"
Are your solos sounding like random scale exercises? Discover the "Fly Me to the Moon logic" applied to "Autumn Leaves." This step-by-step process helps you build a melodic skeleton using 3rds and 7ths, ensuring your lines resolve beautifully through the changes every time—before you even add the "fancy stuff."
A Step-by-Step Process for Composing Melodic Lines on "Autumn Leaves"
Unlike simple circle-of-fifths tunes, "What Is This Thing Called Love" presents a unique challenge: the melody often soars high while standard chords sit low, creating a disconnect. In this case study, we explore the "12th Step"—a method of projecting voicings into the upper register—to create fluid, professional lines that support the melody without jumping frantically around the fretboard.
Improvisation Myths: Why Chords Matter More Than Scales (feat. Fly Me to the Moon)
A common frustration among intermediate jazz guitarists is playing the "correct" scales but lacking authentic sound. The harsh truth: Improvisation is based on chords, not scales. Stop fighting the bassist for the root. Learn how to target the 3rds and 7ths to make your solos sing using the golden rule of functional harmony voice leading.
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