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voicelid jazz guitar
Free Course
The FDA Method
About
Program
BLOG
Find My Track
Login Account
(0)
Cart (0)
Free Course
The FDA Method
About
Program
BLOG
Find My Track
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es a Jazz Guitarist Actually Do All Day?Wes Montgomery Said He Never Practiced. So What Do
Weekend Insight June 9/27/26 Weekend Insight June 9/27/26

es a Jazz Guitarist Actually Do All Day?Wes Montgomery Said He Never Practiced. So What Do

Wes Montgomery said he didn't practice, he played — and for Wes it was true. For the rest of us the honest routine is simpler than you'd guess: transcribe, then learn tunes in layers, forever.

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How Did Wes Montgomery Build a Solo? Single Line, Octaves, Chord Solo — One Arc on Gone with the Wind
Advanced June 9/26/26 Advanced June 9/26/26

How Did Wes Montgomery Build a Solo? Single Line, Octaves, Chord Solo — One Arc on Gone with the Wind

Wes Montgomery's solos climb in three layers — single line, octaves, chord solo — and land back in chord melody. Transcribing that whole arc, not one chorus, is what teaches his technique.

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Why Does Your Own Playing Sound Stale to You? You’re Its Most Frequent Listener
Weekend Insight June 9/23/26 Weekend Insight June 9/23/26

Why Does Your Own Playing Sound Stale to You? You’re Its Most Frequent Listener

Almost every jazz player dislikes their own playing, and the reason is arithmetic: you hear yourself more than anyone else does. Here is what actually moves you out of a slump.

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Why Do Wes Montgomery Transcriptions Sound Wrong When You Play Them?
Advanced June 9/14/26 Advanced June 9/14/26

Why Do Wes Montgomery Transcriptions Sound Wrong When You Play Them?

Most jazz guitar transcriptions get the noteheads right and the guitar wrong — wrong positions, wrong voicings, wrong concept. The reliable sources are the recording and the line's underlying logic.

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Should You Learn Licks or Transcribe Solos? What You’re Really Copying Is Time Feel
Weekend Insight June 9/3/26 Weekend Insight June 9/3/26

Should You Learn Licks or Transcribe Solos? What You’re Really Copying Is Time Feel

Licks give you fragments. Transcribing a whole solo gives you the player's time feel — and time feel is what makes American music sound like itself. Here's why 'play what you hear' is useless advice unless someone teaches you what to listen for.

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Why Do You Always Play the Same Rhythms? Because You Sound Like What You Listen To
Weekend Insight June 7/19/26 Weekend Insight June 7/19/26

Why Do You Always Play the Same Rhythms? Because You Sound Like What You Listen To

If every solo comes out in straight eighth notes, the problem is your listening diet, not your hands. Learning jazz guitar works like learning a language: you absorb the rhythm of whoever you immerse in — so choose Wes Montgomery, George Benson, and Grant Green.

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Jazz Guitar Improvisation Tips: How to Transcribe So Your Ear Actually Grows
Intermediate June 6/24/26 Intermediate June 6/24/26

Jazz Guitar Improvisation Tips: How to Transcribe So Your Ear Actually Grows

Your ear only hears what it already knows — which is exactly why transcription, even when you get it wrong, is the fastest way to grow. Here's how to transcribe jazz guitar so your ear expands instead of staying stuck.

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How to Learn Jazz Guitar as a Beginner: A 3-Step Method That Actually Works
Beginner June 6/22/26 Beginner June 6/22/26

How to Learn Jazz Guitar as a Beginner: A 3-Step Method That Actually Works

If you're a beginner wondering how to actually start learning jazz guitar, three steps cut through the noise: research your hero's heroes, listen deeply to pre-1960 jazz, and transcribe one player in depth.

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Transcription vs. Fretboard Logic: How to Learn the Jazz Language
Practice, Office Hour June 1/11/26 Practice, Office Hour June 1/11/26

Transcription vs. Fretboard Logic: How to Learn the Jazz Language

Should you analyze every note or just immerse yourself in the transcription? We compare learning jazz lines to learning a foreign language through drama.

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'Excuses Are Just Excuses': A Working Musician's Philosophy for Growth
June 11/30/25 June 11/30/25

'Excuses Are Just Excuses': A Working Musician's Philosophy for Growth

Busy musicians struggle to find time, but true growth comes from intention, not hours. This post explores internalization, transcription, and sincerity—how even 30 minutes of focused listening or mindful playing can transform your musical journey.

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