Ditch the Scales: Voicing-Centric Improvisation and Upper Structures
Still trying to calculate modes on the fly while soloing? It's time to stop over-analyzing. Discover why advanced jazz guitarists rely on functional voicing connections and Upper Structure Triads instead of rigid scale blocks to create fluid, spontaneous melodic lines.
The 4 Faces of Diminished Chords: Resolution Logic & Upper Structure Triad Pairs
In advanced jazz theory, the Diminished 7th chord is often misunderstood as merely a "spooky" passing chord. In reality, it is a functional powerhouse. Because of its symmetrical nature, a single diminished grip allows you to resolve into four different tonalities. In this post, we destruct the "Four Faces" of the diminished chord and explore how to use Major Triad Pairs to modernize your improvisation.
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