Dissecting a George Benson Line: The Harmonic Secret of Playing Bbmaj7 Over C7
Some of the most exciting jazz guitar lines don’t come from scales at all.
George Benson’s “outside” sound often comes from superimposing upper structures—borrowing harmonic material from one chord to create modern, unexpected colors inside the changes.
Beyond Lineage: The 'All-Weather Virtuoso' in Modern Jazz Guitar (A Jesse van Ruller Case Study)
Are you shaped more by the explosive bebop lineage of George Benson or the soulful, blues-driven school of Grant Green? This article explores how modern masters like Jesse van Ruller transcend lineage—becoming “all-weather” guitarists with fully developed musical spectrums.
Beyond Chord-Tone Soloing: A Pianistic Approach to Jazz Guitar Improvisation
Most guitarists learn to “outline chord tones” — a method borrowed from monophonic instruments. But jazz guitar is polyphonic. By thinking like a pianist, we can merge voicing and improvisation into one language. This article explores how four-part harmony, voice leading, and upper-structure triads can transform your playing forever.