Beyond Chord Tones: The Secret to Fluid II-V-I Lines on Jazz Guitar
Most players memorize chord-tone shapes but still sound disconnected. This article explains why guide-tone voice leading—not arpeggio recall—is the key to flowing II–V–I improvisation, and how tracking 3rds and 7ths creates smooth, lyrical lines.
The Secret to Melodic II–V–I Lines: Unlocking Guide-Tone Motion
Many players practice their II–V–I arpeggios but still sound disconnected. This post explains how guide-tone lines (3rds and 7ths) create smooth, musical phrasing and why learning their flow is the key to fluid jazz improvisation.
The 'Magic Number' of Jazz Harmony: Unlocking the Fretboard with the Diatonic Circle of Fifths
The II–V–I progression is everywhere in jazz—but why? This post uncovers the deeper logic behind it: the Diatonic Circle of Fifths (7–3–6–2–5–1–4). Discover how this “magic number” explains the flow of harmony in tunes like Fly Me to the Moon and Autumn Leaves, and how it transforms your view of the fretboard through the Functional Diagonal Approach.
Mastering the George Benson 'Rest Stroke' for Jazz Guitar
For many intermediate jazz guitar players, the quest for the perfect tone can feel like an endless journey of buying new pedals, amps, and guitars. We chase the warmth of Wes Montgomery or the fluid drive of Pat Metheny, but often overlook the most crucial element: the pick. If you're accustomed to alternate picking, the technique of the legendary George Benson offers... a profound opportunity to transform your tone and rhythmic feel.