Is the IV Chord a New Tonic? Navigating the I to IV Change
When moving from the I chord to the IV chord, does the target become a new tonic? We explore secondary dominants and upper structures to make this transition smooth.
Decoding the Wes Montgomery Sound: Upper Structure Triads meets Drop 2 Voicings
Ready to move beyond basic diatonic boxes? Discover the "Chord over Chord" logic used by legends like Wes Montgomery. We break down how to use Upper Structure Triads and Drop 2 voicings to turn simple shapes into rich, complex textures.