Why Major and Minor Are Often the Same in 2-5-1 Progressions
Uncover why legendary players treat major and minor chords interchangeably in their improvisations. By focusing on upper structures and voice leading, you can vastly simplify how you navigate 2-5-1 progressions.
Mapping Tonic and Non-Tonic Movement in Standards
Guide tones provide a built-in roadmap for navigating complex key changes and turnaround sections. See how observing the movement of the fourth degree reveals whether a progression is resolving or building tension.
Overwhelmed by Extensions? Let the Melody Decide
Should you build a triad off the 3rd, 5th, or 7th? The answer isn't random. The melody dictates your harmony.
Is the IV Chord a New Tonic? Navigating the I to IV Change
When moving from the I chord to the IV chord, does the target become a new tonic? We explore secondary dominants and upper structures to make this transition smooth.