June 2/22/26 June 2/22/26

Wes Montgomery’s Secret to High-Register Arpeggios

Wes Montgomery didn't reinvent the wheel for high notes; he used diagonal displacement. Discover how to reuse shapes for octave lines.

June 1/31/26 June 1/31/26

Stop Chasing Upper Structures: The Tonic vs. Non-Tonic Approach

Are you mentally exhausted trying to chase every chord extension in a progression? It’s time to stop doing "abstract math" on the fretboard. Discover why categorizing chords into just two functions—Tonic and Non-Tonic—is the secret to playing smoother, more melodic jazz lines like the masters.

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