Beyond Scales: Forward Motion, Chromaticism, and Targeting
"Why did he play that natural 4th?" A common question from advancing players. The answer lies in shifting your perspective from static theory to dynamic movement. Discover why there are strictly no "wrong" notes—only notes waiting to resolve—and how to use Forward Motion to liberate your solos from rigid scale patterns.
Analyzing the 'Bones' of Bebop Melodies (Donna Lee)
How to find the structural 'bones' inside complex Bebop heads. We analyze how Charlie Parker and Wes Montgomery target chord tones.