Playing Wes Line and Django Line Over Fast 2-5s: Blues for Alice
Fast 2-5 progressions in bebop tunes like Blues for Alice move quickly — but the FDA reduces that complexity to the same half-step voice leading motion you already know, played along the diagonal structures. This post shows how Charlie Parker's melody already contains the answer.
Why Major and Minor Are Often the Same in 2-5-1 Progressions
Uncover why legendary players treat major and minor chords interchangeably in their improvisations. By focusing on upper structures and voice leading, you can vastly simplify how you navigate 2-5-1 progressions.