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How Do You Fill the Space Between Chord Tones? Connect the 3rds First
Intermediate June 9/9/26 Intermediate June 9/9/26

How Do You Fill the Space Between Chord Tones? Connect the 3rds First

To fill the space between chord tones, build the skeleton first: connect the 3rd of each chord, cross through the 7th on the way, and fill the remaining gaps with scale notes — saving the target note for last. The melody of Fly Me to the Moon is built on exactly this mechanism, which means the fill notes were never random.

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What Does Voice Leading Actually Mean? There’s a Precise Definition
Intermediate June 9/5/26 Intermediate June 9/5/26

What Does Voice Leading Actually Mean? There’s a Precise Definition

Voice leading has a precise definition: when one chord moves to the next, no individual voice travels more than a minor 3rd. Triad cycles are how you train it on guitar — and cycle 4 is the circle of fifths you already practice.

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Do You Start Improvising on Autumn Leaves? Melody Plus the One Note That MovesHow
Intermediate June 8/29/26 Intermediate June 8/29/26

Do You Start Improvising on Autumn Leaves? Melody Plus the One Note That MovesHow

Your first real solo on Autumn Leaves is not a scale run. It's the melody combined with the guide-tone line — the single note that moves between each pair of chords. That combination alone produces a complete, musical chorus.

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Voice Leading on Jazz Guitar: Why the Guide Tones Follow the Melody
Intermediate June 6/27/26 Intermediate June 6/27/26

Voice Leading on Jazz Guitar: Why the Guide Tones Follow the Melody

On jazz guitar, voice leading works because usually only one note moves between chords — and that moving guide tone lines up with the melody. Here's how to see it and practice it on standards.

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Voice Leading Guitar: How to Play Counter-Motion Over Descending Chromatic Changes
Intermediate June 5/6/26 Intermediate June 5/6/26

Voice Leading Guitar: How to Play Counter-Motion Over Descending Chromatic Changes

When the chords descend chromatically — Dbmaj7, Dbm7, Cm7, Bbm7 — most intermediate players run out of ideas because every voicing wants to slide down too. The professional answer is counter-motion: when the harmony goes down, you take the line up. Here is how that works on the fretboard.

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